![]() You don’t need any external analog hardware or anything like that to make it sound amazing. The Shure SM7B dynamic microphone can be easily set up in the RodeCaster Pro II. You can leave the rest of the settings such as the exciter and panning on their default setup because they’re doing their job very well. The Equalizer default settings is already good but if you want more sparkle then I recommend increasing the High Gain to around 5.1dB and the High Bell to around 10100Hz. My Recommended Settings for Equalizer Equalizer Settings To flatten your voice and make it a little more punchy, I recommend tweaking the Threshold to around -33dB and the Ratio to 3:1. My Recommended Settings for Compression Compressor Settings My recommended settings are a -38.6 dB Threshold and a 44 dB Range for this microphone. However, if you want to cut the background and have only your voice heard, then you should tweak the Threshold and Range controls. The Shure SM7B microphone rejects a lot of noise and so you don’t need to tweak the Noise Gate setting. For the Shure SM7B microphone, I would recommend tweaking the frequency to around 5500Hz. The DE-ESSER settings help you eliminate the excessive prominence of sibilant consonants (such as s and z) on your recordings. The latter is what I recommend because it retains most of the low-end frequencies as well as reduces plosives. ![]() But if you prefer to boost it up without impacting your voice, tweak it to around 120Hz. If you want full frequencies in your voice, make the high-pass filter neutral or on the lowest frequency. ![]() By turning up the frequency control, your voice thins out while decreasing it boosts the audio’s bass. With the high-pass filter settings, you can roll off low-end frequencies. My Recommended Settings for Noise Reduction High-Pass Filter Settings To see the processes we can tweak, hit “Advanced” under the “Processing” tab. There are a few settings on the RodeCaster Pro II that we can manipulate to achieve the sound that we desire. Or if you are a tweaker then follow my guide on how to enhance your audio by tweaking the settings on the RodeCaster Pro II. Once you applied those settings, you are now ready to record your podcasts. To do that, just increase or decrease the dB level by pressing the + and – buttons. When you successfully connect the two pieces of audio equipment, there are a few things you need to do.įirst is to make sure that you have selected dynamic on the microphone channel 4 settings.Īnd then make sure that when you talk, you should be hitting the green rails on the dB meter. However, I recommend you leave those on neutral when you pair it with the RodeCaster Pro II. Fortunately, this can be solved by using a microphone windshield or windscreen.Īnother thing to note about the SM7B dynamic microphone is that there are settings at the back of the equipment that you can tweak to roll off low-end frequencies, increase the amplitude, or any other effects. One of the things I don’t like about the SM7B microphone is that it doesn’t have an excellent in-built pop filter. It is dynamic, rejects a lot of noise, has a unique sound, and is perfect for podcasters. Although it’s not something I use for my day-to-day work, I found a few reasons why it’s an amazing microphone. The Shure SM7B is the third one we reviewed in our search for the best microphone for the RodeCaster Pro II. Short Review of the Shure SM7B Microphone The question is, is this combination really the best podcast setup available? Let’s take a closer look. On the other hand, the RodeCaster Pro II is a powerful audio interface kit that has become my integrated audio solution for all my production needs. ![]() The Shure SM7B is a very popular dynamic microphone that a lot of well-known podcasters are using for their recordings. legend….Two of the most popular pieces of equipment for podcasting are the RodeCaster Pro II and the Shure SM7B microphone. Which of these Titans will take the title, which of these legends will prevail, dynamic vs dynamic, broadcast vs broadcast, legend vs. So we will be using the Cloudlifter mic preamp with both of these microphones. It has a frequency response of 75Hz to18KHz, and a price tag of $230.īoth of these microphones are end address, dynamic broadcast quality microphones, being dynamic mics, neither require phantom power.īoth of these microphones require a lot of gain, ideally a minimum of 60db. This mic also works well for metal vocals, voice over, narration, and recording guitar and bass. It’s also a large broadcast microphone that you have seen on many podcasts and used in plenty of YouTube videos. It has a frequency response of 50Hz to 20KHz, and a price tag of $400. It’s been seen on countless podcasts and radio shows as well as in the studio to record vocals, narration, voice overs and instruments like guitar and bass. In this corner is the legendary Shure SM7B.
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